Classical Guitar Beats


You may have read my interviews and posts with the extraordinary guitarist and enquiring mind, Jorge Caballero.

He and his wife Maggie have started a new project – Classical Guitar Beats – here is the intro

Welcome to Guitar Beats! This site is dedicated to the study of Classical Guitar, using advanced and innovative methodology. Our approach is innovative in that  total exploration of the psyche (mind, body) is employed to achieve mastery of the guitar. This pedagogical method is universal: its methods can be directly transferred and applied to other instruments and disciplines. Simply stated, our goal is to provide all levels of music students the tools to learn and progress.

 

The site provides fascinating insights into such vexing subjects as the collapsible joint rest stroke, semi-rest-stroke free stroke and the downward push free stroke,
Find out more by visiting the site which has a monthly feature.
Here are also my interviews in Iserlohn with Jorge.

Jorge Caballero on mistakes and interpretation Interview 3


When I was at the Iserlohn Guitar Symposium this summer, I was happy to see Jorge Caballero again, and managed to spend some time picking his incredible brain on subjects such as technique, learning, focal dystonia and why he chose to transcribe a very difficult Mozart Sonata for solo guitar. The interview is in three parts, but unfortunately the camera ran out of steam during the third part, so this ends with Jorge playing “Malaga” from Iberia by Albeniz. This is from his stunning concert at the Goldsaal Schauburg, Iserlohn this year.

Jorge Caballero on Focal Dystonia Interview 2

Jorge CaballeroWhen I was at the Iserlohn Guitar Symposium this summer, I was happy to see Jorge Caballero again, and managed to spend some time picking his incredible brain on subjects such as technique, learning, focal dystonia and why he chose to transcribe a very difficult Mozart Sonata for solo guitar. The interview is in three parts, but unfortunately the camera ran out of steam during the third part. However, what there is is still fascinating and gives an insight into the mind and method  of one of the great guitarists and musical thinkers of the 21st century.

Jorge Caballero on technique Interview 1

Jorge Caballero

When I was at the Iserlohn Guitar Symposium this summer, I was happy to see Jorge Caballero again, and managed to spend some time picking his incredible brain on subjects such as technique, learning, focal dystonia and why he chose to transcribe a very difficult Mozart Sonata for solo guitar. The interview is in three parts, but unfortunately the camera ran out of steam during the third part. However, what there is is still fascinating and gives an insight into the mind and method  of one of the great guitarists and musical thinkers of the 21st century.

Iserlohn 2014 – photo impressions

Iserlohn 2014

Some photos of the festival – thanks to all who took part to make it a special place for making wonderful music and friends.

 

The Poised Guitarist

My first experience of mapping was failing to connect with a bar stool which wasn’t where I thought it was. Many of us have a misconception of how our joints connect and where an action starts from. The Alexander teacher Barbara Conable has done extensive research and written books on the subject of body mapping.

A while ago I wrote an article about focal dystonia and mentioned Jerald Harscher, a guitarist and teacher with whom I had an enlightening session on Skype (even though I was beginning to feel self conscious about the spelling of my name when talking to him.)